contributions

sudradjat Breeding Intisari links Gatra frans sudiro a visit to Beji... welkom

 

Rekemit Blackwood from Marlboro College Research Aviaries
Marlboro College, Marlboro, Vermont wrote:

The indication that the Ayam cemani is of a different matriarchal ancestor than most domestic fowls has been intriguing and is one reason I was interested in researching their genetic makeup. 

Most chickens are descended of the Burmese red junglefowl (Gallus gallus spadiceus).
However a few archaic breeds like the Cemani are descended from the Indonesian red Junglefowl (G.gallus bankiva). Of two hundred breeds of fowl only nine have so far proved to be descended of the bankiva hen. What makes the cemani of so much interest to me and to you it seems is the melenotic condition of its skin and bones. This has intrigued me for a number of reasons. Firstly, it has recently been confirmed by Resit Sozer, a naturalist ornithologist in Indonesia that a melenotic form of bankiva exists in the montane forests of Sumatra. This is a wild form of bankiva.
It was described in literature by William Beebe in his monograph of the phasianidae as well. Beebe was mistaken in his assesment however, that junglefowl on Java were introduced there by humans as the bankiva of Java is a sibling species to the Ceylon Junglefowl (Gallus lafayetti). Neither are closely related to the Burmese red junglefowl; they are both related to the grey junglefowl and one other wild form in the Andammen Islands called the Bengal.  So a domestic bird bred from bankiva is a different bird altogether than a chicken bred from gallus gallus.

more on genetics

Brian Reeder contributed the following:

While I do not seek to remake the Cemani, I am working on black and blue phoenix with the
black skin trait. I do not intend to introduce these for showing, as I do not show. These are for my pleasure and genetic study. The article on the creation of the darkskin broiler is very interesting and informative. I have found different results in my breeding, by selection and design.

To start with, I first crossed sumatra to phoenix and got only birchen or brown red
birds. No solid blacks. So I then crossed sumatra to black minorca which gave me black birds with black skin and either single or pea combs. The single combed birds from this breeding look identical to cemani. I had very few red faced birds from that breeding. I then mated these cross birds with phoenix and have produced birds that are solid black or blue (the rooster
is a blue gold) with over 75% being black skinned and faced. I have found no sexlinking in this particular breeding. The reason that I obtained better results from using the minorca x sumatra was that the sumatra and the minorca have genetically different types of black. The sumatra seems to carry a recessive gene for color in hackles which when mated with the
phoenix produced birchens and brownreds. By combining the two kinds of black, I was able to cover the hackle color with black, producing solid birds. These birds are still strikingly much like cemani, except that the tails are longer. I have single combed, pea combed and rosecombed. I will dispose of the peacombs and work with the single combs and rose combs as
seperate groups. I also plan to cross the 1/2 sumatra/minorca hens with larger meat type birds to produce a large meat type black skinned bird, however, I will not use white birds, as this is a mistake and will cause the sexlinking to occur. The sexlinking tends to be bypassed by crossing to black birds, because these birds tend to have and increase in melanosis to
begin with. I am using black giant and black birds from barred rock breeding. I am also working with black feathered silkie across chabo, cochin and d'uccle to produce a bantam of black skin and face but without the silk feathers, which I feel obscures the patterns such as cuckoo, mottle and mille fleur, which I prefer to solid color birds. I will also be working to
put the black face and skin characteristic on other color patterns in standard birds, such as laced, barred, spangled, ect. I have a vision in my head of blue and buff laced birds with rosecombs and black skin and face, among other equally weird combinations. I have this year crossed sumatra to fayoumi and have autosomal barred birds with black face and skin. These are quite striking. As well, I have done crosses in the past of malay and sumatra and have produced black skinned birds identical to malay. Very neat. This gene is actually quite easy to work with, however, you must deal with the variation and be willing to select heavily. Remember, black or blue birds are easiest to transfer the gene onto.

The publisher of avicultura magazine, also publishes the following book: (also available in German)

This book covers a short paragraph on ayam Cemani. The text however is merely a translation of what is written in the (indonesian) book by Frans Sudiro

rashoenders_s.jpg (3660 bytes)

Handboek Rashoenders

Oorsponkelijke titel: Handbuch der Hühnerrassen (1996), Auteur: Rüdiger Wandelt, Fotograaf: Josef Wolters
Nederlandse vertaling: H. Pater (1999), Eindredactie: H. Nieuwenkamp en J. Ringnalda
ISBN nr. 90 5210 320 8
Aantal blz: 416, Aantal kleurenfoto's: 326
Aantal schetsen / zwart-wit foto's: 40
Maak fl. 85,50 (€ 38,80) (dit is inclusief verzendkosten) over op giro 29110 t.n.v. Uitgeverij AVICULTURA te Amerongen, en het boek wordt u per omgaande thuis gestuurd.

Maar liefst 308 verschillende hoenderrassen worden in dit voor Nederland unieke boekwerk besproken. Dit deel betreft alleen grote hoenderrassen. Het boekwerk over dwerghoenderrassen zal binnenkort ook verschijnen. Naast vele onbekende rassen staan natuurlijk alle Nederlandse rassen er ook in beschreven en meestal zelfs zeer uitgebreid. Dit is mede te danken aan de vertaler van het boek die duidelijk een eigen inbreng heeft gegeven aan de Nederlandse versie. Het oorspronkelijke boek is natuurlijk geen geweld aan gedaan, maar de vertaling is gedaan met veel gevoel voor de in Nederland gebruikte termen. Daarnaast heeft hij aan de Nederlandse rassen extra regels gewijd die de compleetheid van het boek ten goede komen. Het boekwerk mag in feite niet ontbreken in de boekenkast van de pluimveeliefliebber

 

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