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The Story of the Elzevirs Trivia and not so trivia Webster"s Revised Unabridged Dictionary, 1913 (added May 2003)The ELZEVIR typeface The ELZEVIRs are credited with giving their name to a typeface which is still listed in the catalogues of some type foundries to this day and is defined by some as a variation of Garamond. The ELZEVIRs' biographer WILLEMS deduced that the types used by the ELZEVIRs - aside from those purchased from ERPENIUS - were cut by Christoffel (sometimes known as Christopher) VAN DYCK, whose foundry was bought by Daniel ELZEVIR and later sold by his widow. But scholarly opinions differ as to whether a true ELZEVIR typeface can be identified or definitively attributed to VAN DYCK; and bearing in mind that many of the books sold under their imprint were produced for them by other Dutch printers it is hard to say what distinguishes an ELZEVIR edition typographically from its contemporaries. Nevertheless, well into the 20th century many foundries continued to stock this type and it was commonplace in some countries to refer to a(ny) standard Roman type as "Elzevir".
Isaac ELZEVIR: http://www.myfonts.com/Person?id=140 Abraham I ELZEVIR: http://www.myfonts.com/Person?id=141 Bonaventura ELZEVIR: http://www.myfonts.com/Person?id=142 Louis ELZEVIR: http://www.myfonts.com/Person?id=657 Columbia Encyclopedia
entry for Christopher (sic) VAN DYCK (amended
May 2003)
For a contemporary interpretation of the ELZEVIR typeface, see: Textism: 20 Faces:
Elzevir (added May 2003)
http://www.bookrags.com/books/lesms4/PART43.htm
http://newark.rutgers.edu/~jlynch/Texts/harleian.html Printers' marks in the Reference Room of the University of Illinois at Urbana-Champaign Library...Milton's work rejected
Although Daniel ELZEVIR had earlier published John MILTON's work Pro Populo, the English writer (1608-1674) received a posthumous letter of rejection from the ELZEVIRs. A manuscript entitled De Doctrina Christiana was discovered in a British State Department cupboard, wrapped in ELZEVIR proofs. Researchers learned from letters written by Daniel ELZEVIR that this manuscript had been offered to him for publication following MILTON's death, but after taking advice, Daniel ELZEVIR declined it because, as he wrote, he believed it contained many things "...better suppressed than divulged". The authenticity of this particular manuscript has been the subject of study by Milton scholars recently. Was the manuscript genuinely a work of Milton? Was it original, or was he rewriting the work of another scholar? Was it complete, or a "work in progress"? To find out what present-day Milton experts make of all this, you'll have to read the fascinating account for yourself. http://www.bangor.ac.uk/english/publicat/ddc/ddc.htm
The discovery of unbound sheets of a work by Valerius MAXIMUS dating from 1671, which were discovered while liquidating the stock in a bookseller's warehouse in Amsterdam, made it possible to draw certain conclusions about the ELZEVIRS' printing technique. One set of these sheets is to be found in the Pierpont Morgan Library. http://etext.lib.virginia.edu/bsuva/sb/toc/sib07toc.htm
While present-day collectors may be prepared to pay several thousand US dollars for a particularly fine or scarce ELZEVIR, in Berks County, Philadelphia in the early part of the 20th century "seventeenth century editions were still very cheap" according to George Allen in his memoir of his father, the bookseller William H. Allen. An ELZEVIR printing "might bring as little as $4". http://www.english.upenn.edu/~traister/george.html
In a chapter devoted to ELZEVIRS, Lang tries to define the difference between the rare and the commonplace, the good, bad and merely ELZEVIR, and describes the most famous and expensive of all - the cookery book, Le Pastissier Francois. http://www.bookrags.com/books/bkbkm/PART2.htm "Elzevirs and Divers
Other Matters" by Eugene Field (added May 2003)
http://www.imultimedia.pt/museuvirtpress/ing/persona/e-f.html "Surreptitious printing
in early modern Amsterdam : A survey and analysis from the University of
Illinois' collections" by Barbara Jones (Chair, Special Collections Division)
(added
May 2003)
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